Mary Lake is an artist whose sound merges driving techno with textural and emotional undercurrents.

Shaped by an upbringing across Algeria, France, and the Netherlands, her musical identity is informed by cultural multiplicity and a deep sensitivity to atmosphere, rhythm, and presence. Her work explores how intensity and intimacy can coexist on the dance floor.

In her DJ sets, she shapes atmosphere and movement with deliberate pacing and emotional clarity, creating an experience that is both physical and deeply attentive. A resident at Club RAUM/Spielraum and a regular at Berghain, she has developed a storytelling approach to DJing defined by fluidity, focus, and instinct.

Her live work, presented at STOOR, Dekmantel, and Positive Education, reflects a continuously evolving approach to sound. It brings her production sensibility to the foreground, with an emphasis on texture, pacing, and dynamic control.

Her debut EP on Nous’Klaer Audio introduced her forward-leaning production voice—one that continues to expand as she develops new material and performance forms.

Andy Martin is an electronic artist who blends sci-fi techno with Latin Caribbean sounds from a distinctly futuristic perspective. His most recent album, Antiguos Astronautas, is a musical exploration that bridges techno textures with a Native American futurism narrative. The project has garnered widespread acclaim within the music community, receiving heavy support from world-class artists such as DVS1, Ben UFO, Blawan, Daniel Avery, Mama Snake, Richie Hawtin, Objekt, René Wise, and Darwin, with his tracks being played at iconic venues including Berghain, Tresor, Fabric, Bassiani, Lux Frágil, and De School.

His experience and sharp skills behind the decks have led him to perform at Mexico’s premier clubs and venues alongside esteemed acts like DJ Stingray, Skee Mask, Aurora Halal, Ryan Elliott, Function, and Goldie. Furthermore, his versatile storytelling approach has been showcased across major international platforms, featuring prominent mixes for the Awakenings Podcast, pe:rsona festival (released via the Australian label Animalia), HATE Podcast, and SECTION. In the studio, a standout milestone in his career is his recent release on the Mole Audio label, featuring a collaboration with the legendary pioneer of dub music, Lee “Scratch” Perry.

Malena grew up between Buenos Aires, Miami, and Barcelona, and the distance between those worlds is where her sound lives. A vinyl-only DJ with an ear shaped by the rawer decades of house, electro, and techno —the Chicago warehouses of the ’80s, the Detroit machine-funk of the ’90s, and the Iberian club culture of the early 2000s— her sets are a physical thing: deliberate, floor-focused, and built to last the night.

Since arriving in Barcelona, she has woven her sound into its underground circuit (Nitsa, Input, Les Enfants Brillants, La Terrrazza) and earned her place on its biggest stages: Primavera Sound, OFFWeek, elrow, and Sónar. This June 2026, she opens the electronic music stage at Primavera Sound and plays a Sónar showcase right here at MOOG Barcelona.

Her mixes don’t chase trends — they build arguments. An argument that the past still has things to say, that genre boundaries exist to be crossed slowly and with conviction, and that a dancefloor works best when it feels like a conversation between everyone in the room.